They
tease only because they like what is true.
That
is why you call them friends.
So
when, in avocado skies,
With
the fragrance of fuchsias,
And
perhaps even focaccia,
And
other salty, honest facts of life,
Droning
like blue hummingbirds
And
Manuka bees,
You
seep through my weak and ailing
Ego,
out onto the blotting paper of my conscious mind,
I
shall consider what it is they cherish,
And
come, perhaps, to feel the same.
And do not berate me when I do,
I tease you only because I like what's true!
But here's a precursory thought or two,
Already noted on bibulous blue...
While I write a bottle’s worth
Of evasive attempts at articulation,
The following transpires:
That I have more in common with Van Gogh
Than most care to know, or notice.
That some called him Vincent.
That all I’ve ever written does not sum
me up now,
And that the whereabouts of Brighton
really doesn’t matter.
That you are the closest I will ever
come
To understanding the stars,
And candidness is more attractive
And captivating
Than anyone cares to admit.
That lousy house parties
Are sometimes better than expected.
And you are braver than me,
And I thank you for it.
That speech is, more often than not,
Inadequate, and
Words seldom do justice
(However hard I battle with them.)
And that self-confessing,
Asymmetrical smiles
Are secretly my favorite kind.
That some songs have a hold on me,
That I could never explain much,
And photographs are not my favorite
medium.
That poems are often incredibly hard to
write,
And it’s all your fault.
(That you’re forgiven.)
And that even the spectrum
Of browns, golden and dusty,
Azul, virescent and viridescent,
Warm and hazy, igneous-red,
Flushed in sunset,
Curled in blazing amber;
The hue of gloriously tawny,
Shaggy apertures
Of Van Gogh’s Sunflowers
Are no match
For the honeyed morning's
Beams of light
Dancing on your head.
'But how can words express the feel of sunlight in the morning...'
'But how can words express the feel of sunlight in the morning...'
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